Kate Ceberano歌手简介:
生于1966年11月17日的Kate Ceberano是一个屡获殊荣的老牌澳洲流行歌手兼艺人。她的音乐风格以soul,jazz and pop为主，早在1988年，她就获得了年度最畅销澳洲本土唱片的歌手奖项。在1992年便已经得到People's choice awards的最佳女歌手，而且继后的1993年、1994年都获得同一奖项。足以证明她在歌迷中的地位。
One of Australia's most gifted and versatile performers, Kate Ceberano's music crossed several genres and made her one of the most popular female vocalists of the 1980s and 1990s. Ceberano first rose to prominence as the teenage lead singer of Australian funk-pop outfit I'm Talking in 1985. Their debut (and as it transpired, only) album, Bear Witness, produced three hit singles, including "Love Don't Live Here Anymore." I'm Talking disbanded in 1987, and Ceberano released her debut solo jazz album in that same year. Kate Ceberano and Her Septet, featuring her brother Phil and veteran session musicians Alex Pertout and Jex Saarelaht became a huge hit, and was followed in 1988 by You've Always Got the Blues, which featured Ceberano and Wendy Matthews as vocalists. In 1988 the first single from Ceberano's eagerly awaited first pop album was released. "Bedroom Eyes" became the highest selling Australian single of 1988 and helped Ceberano win two ARIA awards for best female vocalist in 1988 and 1989. The album, Brave, was released in 1989 and went triple platinum. "Young Boys Are My Weakness" was also released as a single from this disc. Another jazz album called Like Now followed in 1990, then her second pop album Think About It appeared in 1991. However, it could not build on the success of Brave and failed to produce a strong single. 1992 saw a stage production of Jesus Christ Superstar open in Australia. Ceberano won the part of Mary Magdalene, and performed alongside John Farnham, Noiseworks frontman Jon Stevens and former Rose Tattoo lead singer Angry Anderson in the show. The Australian cast album went four-times platinum and Ceberano's song from the production - "I Don't Know How to Love Him" - was released as a single. In 1996, another pop album, Blue Box, was released, and this was followed in 1998 with Pash. The 60s-influenced pop of the title track became her biggest hit since "Bedroom Eyes." A best-of collection entitled True Romantic appeared in 1999.